Throughout the course of the story, Blanche begins to receive less support from Stella. Blanche is so used to being used and mistreated by men that she loses her one chance of happiness, with Mitch. Mitch fell for Blanche until he, too, learned of her past. Then like all the others, Mitch turned to Blanche for one reason, sexual intercourse.
The way people treated her affected the way she reated herself and others. Blanche is unfit to be accepted by anyone in society.
Blanche lies about her past whenever the conversation is brought about. As Stanley shows his interest in what happened to Belle Reve, it his tent on the door step. This is one of the instances where Blanche continually lies until Stanley reveals the truth. This becomes a huge turning point in the story because no one has faith in Blanche anymore.
Everyone begins to see who the real Blanche is, a crazy unstable women, who lives in the past. In other words, Blanche is trying to blame her past on the events that occurred with Belle Reve. Instead of being honest with everyone, she looks for the easy way out and refuses to admit the truth. Stella lies on many different circumstances. Stanley asks information about the Flamingo Hotel. Stanleys testing her honesty.
She tells him hat she does not know him and would also never be seen in a hotel like the Flamingo. Whereas Blanche comes from an old Southern family and was raised to see herself as socially elite, Stanley comes from an immigrant family and is a proud member of the working class.
Blanche attempts to convince Stella to leave Stanley because she was born for better society and values, while Stanley keeps Stella in his grasp through his unpretentious, powerful sexual attraction. Blanche and Stanley are polar opposites in several respects. Blanche clearly represents the world of fantasy.
As she admits to Mitch, she wants to misrepresent things, and she wants things misrepresented to her. She lives for how things ought to be, not for how they are. She prefers magic and shadows to facing facts in bright light.
Stanley, on the other hand, is a no-nonsense, cut-to-the-chase kind of guy. He looks for joy in life, and where he finds it, he celebrates it. But, as he says, he expects people to lay their cards on the table. He has no patience for idle chit-chat, social compliments, fools, and frauds. Blanche repeatedly refers to Stanley and his world as brutish, primitive, apelike, rough, and uncivilized.
Stanley finds this sort of superiority offensive and says so, but there is something primal and brutish about Stanley. Williams makes awareness of the flaw and creates admiration of the character through his use of characterisation, contrast, conflict, key scenes and aspects of staging. Firstly, the characterisation of Blanche DuBois successfully hints at her flaw early in the play.
She is described in the stage directions as she enters the play: This leads the audience to wonder that if she is so innocent and pure then what is that that would lead her to cause her own destruction? Stanley is described as being common: Stanley is described as a very masculine character: Williams creates these contrasts in the characters to lead to conflict. Sympathy for Blanche is also achieved when Stanley verbally bullies Blanche and tries to threaten her with what he knows about her promiscuous past:.
He symbolises her flaw through two symbols: Furthermore, Tennessee Williams successfully uses aspects of staging to add to our admiration of Blanche and our understanding of her flaws.
Join Now Log in Home Literature Essays A Streetcar Named Desire A Streetcar Named Desire Essays Chekhov's Influence on the Work of Tennessee Williams Dawn Burgess A Streetcar Named Desire. The shape of American drama has been molded throughout the years by the advances of .
The most successful of these, in both commercial and critical terms, are The Glass Menagerie (), A Streetcar Named Desire (), Cat on a Hot Tin Roof (), and The Night of the Iguana (). All four received New York Drama Critics’ Circle awards, and both A Streetcar Named Desire and Cat on a Hot Tin Roof won Pulitzer prizes.
Streetcar Named Desire Essay: Themes in A Streetcar Named Desire - Themes in A Streetcar Named Desire A Streetcar Named Desire is a pessimistic work that is the “culmination of a view of life in which evil, or at least undiminished insensitivity, conquers throughout no . Home Essay Samples Streetcar Named Desire Different approaches can be used to compare a play to its film adaptation. The strategies used vary depending on .
In A Streetcar Named Desire, Tennessee Williams creates a complex web of conflicting emotions, which creates tension between characters. Williams presented many emotional conflicts with his character Stanley and the other characters in the play. In A Streetcar Named Desire, by Tennessee Williams. Blanche is known as a pathological liar who lives in the past and gives into desire. Based on her inability to control her desires, Blanche is to blame. A Streetcar Named Desire by Tennessee Williams describes Blanche Dubois as a neurotic central character who lives in a fantasy world of old south chivalry but cannot control her desires.